The Original (Quince) Marmalade

As I mentioned in my previous post about Seville oranges that the original marmalade was in fact made from quinces and not oranges, I thought I would give you a recipe that I have recently used for the stall. It’s a recipe that appears in Eliza Acton’s 1845 book Modern Cookery. It’s an easy recipe that would be a good one to start with if you have never made a sweet preserve as you don’t need to mess about with sugar thermometers and setting points. One of the great things about making preserves with quinces is the glorious colour they go. A relatively brief boil transforms them from a pale apple-yellow to a vibrant orange-coral.

The tricky thing is getting your hands on some quinces they are available from October, but I have recently seen some organic ones in the Manchester organic grocers Unicorn. If your local greengrocer doesn’t have them on their shelves, it is worth asking if they can get them. My grocer was very happy to get me a full tray for just a tenner, so I was very pleased with that.

I have recently found another slightly more complicated version of this recipe but I have not tried it – we’ll have to wait for next autumn for that one!

Eliza Acton’s Quince Marmalade

2kg (4 1/2 lbs) quinces

water

granulated sugar

Wash and scrub any fluff of the quinces, then peel and core them. Place them in a large pan and pour over enough water to almost cover. Turn up the heat and when it begins to boil, turn heat down to a simmer and stew 35-45 minutes until the fruit is soft. Strain and pass fruit through a mouli-legumes.

Put the pulp back in the pan with the strained juice and add 280g sugar for every 500ml juice or, 1 ½ lbs sugar for every pint of juice). Stir and dissolve under low heat then, simmer until it resembles ‘thick porridge’ and begins to leave the side of the pan when you stir it.

Pour the marmalade into sterilised pots. It is very good as a jam on toast, with cheese or as an accompaniment to hot or cold meats.

Curried Beetroot Chutney

A while ago, I discovered a recipe for a 19^th century British curry (see here for the original post). The recipe required me to prepare both a curry powder and a curry paste. It made a very good, strongly spiced curry, but ever since the jars have been sat in my fridge. I thought there must be something else I can do with these concoctions. After a little thought I came up with this chutney idea and it works very well: the earthy beetroot is very sweet which offsets the spices very well. I thought of beetroot because I often panfry beetroot in olive oil with cumin seeds and always thought the combination delicious. Because beetroot is so sweet and quite a lot of sugar is required for the syrup, I include a quantity of carrot, otherwise I think the sweetness and beetroot flavour may make it a little too rich.

It is delicious with cold meats or cheese and is also a great alternative to mango chutney as a condiment for a curry.

The recipes for the curry powder and curry paste needed for the pickle can be found here.

Ingredients

3 tbs flavourless cooking oil such as sunflower, canola, groundnut &c.

2 tsp cumin seeds

1 tbs 19^th century curry powder

1 tbs 19^th century curry paste

2 lbs beetroot, peeled and diced

1 lb carrots peeled and diced

1 med onion, chopped

2 tart apples, peeled, cored and grated

1 ¼ UK pints red wine vinegar

1 ½ lbs sugar

1 ½ tsp salt

Heat the oil in a stockpot or large saucepan – you need it quite hot, don’t be scared, the hotter the better. Toss in the cumin seeds and fry in the hot oil for around 30 seconds, then add the curry powder and paste. Stir and fry for around 2 minutes then add the remaining ingredients. Bring to a steady boil, then make sure the sugar has dissolved before letting it simmer away for around 90 minutes until the beetroot is tender and the vinegar and sugar have formed a thick syrup.

Pot into sterilised jars. The chutney can be eaten as soon as it is cool, but it is best to leave it for a couple of weeks to develop its flavour.

The Duck Press

The duck press was invented in France during the 1800s by a chef called Mechenet to make what is one of the most extravagant and macabre dishes ever created: Caneton de Rouen à la Presse, also known as Duck in Blood Sauce. It was popularised by Chef Frèdèric who was head chef at the famous restaurant La Tour d’Argent where it became the signature dish. It is reckoned over a million were served there. What is particularly impressive is that the dish was made at the table in front of the guests.

At La Tour d’Argent you are given a card

telling you the ‘number of your duck’

The dish became very popular in Britain during that famously excessive (and thankfully brief) period of history, the Edwardian Era. London’s high society went to huge efforts to appear sophisticated; French cuisine has always been associated with sophistication and the dish Caneton de Rouen à la Presse was one of the best. The Savoy in the 1900s, which then had the formidable chef Escoffier at the helm, regularly served it.

Escoffier

To make the dish you first of all need a duck press which a large metal press usually made of bronze. It contains a spout low down on the press itself so that the blood and bone marrow can be collected easily and it stands on two our four heavy feet so that the whole thing remains stable; you don’t want to cover some count in blood goo unless you can really help it. Some of them have webbed duck feet. If you want to buy a duck press though it will set you back around £1000.

Once you have procured your press you need to prepare your duck. The best for this recipe would be a Rouen duckling, but a mallard would be a good substitute. First of all kill your duck by strangulation so that the blood remains inside the tissues than pluck it. Next day remove the innards, keeping aside the heart and liver, and roast it on the very highest setting on the oven for 15 to 20 minutes. Liquidise the bird’s liver and heart. This is the point where the press and the duck are wheeled to the dining table for the guests to watch.

Remove the legs and set them aside for later, then remove the breast meat cutting it thinly and keeping it warm and covered on a serving dish with a cloche. Push and shove the carcass in the press to extract the blood and bone marrow from the bird, collecting it in a jug placed beneath the spout.

Make a sauce by gently warming the blood with the liquidised liver, some duck or veal stock and some brandy or cognac. Lastly, whisk in a good knob of butter to thicken the sauce and make it glossy. Pour the sauce over the sliced duck breast. Serve with a green salad.

The legs are usually taken away and grilled to be served up during the next course.

So there you have it; a simple and affordable family meal. I have to say, I am a lover of rare meats and I don’t find this sort of food scary at all and it is being served in some restaurants today. If I make my millions, I’ll buy a press and get you all round for dinner.

I found this YouTube video of one being used, but if you’re squeamish, you’re best not looking, I’d say.

 

For more duck history and recipes, click upon this very link.

The Gentleman’s Relish

The Victorians and Edwardians had a real thing for what they called savouries, which were small dishes served alongside or after the dessert course at dinner. We don’t do this any more, all that survives is the cheese option one sometimes finds on the pudding menu at restaurants. I expect the gout is to blame. Savouries need a whole post to themselves so I won’t go into them here…

For me, Gentleman’s Relish is the savoury that really conjures up romantic images of that era, I think just for the name alone. I can just imagine the bank manager or maybe a member of the British Raj eating a slice of toast, relish melting and seeping into it, as he reminisces of home.

Gentleman’s Relish is essentially potted anchovies that are heavily spiced – it also goes by another name Patum Peperium which is Latin for ‘pepper paste’, and it should only be used “very sparingly”.

It was invented in 1828 by John Osborn an ex-patriot living in Paris which, when he unveiled it the Paris Food Show in 1849 and again in 1855, won a Citation Favorable. High praise indeed. It is still made now in Elsham, Hertfordshire, but what exactly goes in there is a closely-guarded secret.

FYI: the company have started making a salmon version called Poacher’s Relish. I’ve never tried it, but I am sure it is wonderful too.

Now, Patum Peperium is not to everyone’s taste – saying it is piquant would be doing it a gross injustice – it is very fishy, very salty and very spicy, so some may consider it totally foul. However, I love strongly tasting robust food like this. To show it off as its finest, it should be scraped thinly across hot toast. When you first try it, the first thing that hits you is the fishy odour, then you take a bite and find the fish taste is actually a perfect marriage between anchovy, salt and spice. You can’t have a marriage between three things can you? Make that a love triangle between anchovy, salt and spice. It is addictive stuff; if it is to your tasting, like Marmite, you either love it or hate it.

Gentleman’s Relish is a cooking ingredient in its own right: the fish, salt and spices all provide a great seasoning to stews, especially lamb, and is great stirred into scrambled eggs. It can be melted upon steaks, or used as a simple sauce with pasta. It is also used to make another amazing savoury called Scotch Woodcock.

After doing a bit of research I found that major players in the spice mix seemed to be nutmeg, mace, Cayenne pepper and black pepper – all classically Victorian, the amounts used vary from pinches to teaspoons, with the spices sometimes mixed equally, other times, one spice dominated.

Here is my recipe – the dominant spice here is Cayenne pepper, because it provides a good punch of chili heat and not that much other flavour, which the other – what are often called warmer – spices do magnificently. You can include less of the mix in the relish, or change the ratios or even the spices to suit your own taste.

Ingredients

For the spice mix:

1 tsp Cayenne pepper

1/4 tsp ground cinnamon

1/4 tsp ground nutmeg

1/4 tsp ground mace

1/4 tsp ground ginger

1/4 tsp ground black pepper

For the relish:

2 oz (50g) can of anchovies, drained

4 oz softened butter

1 tsp spice mix

Start off by mixing together the spices. To get maximum flavour it is best to freshly grind your spices, but it is not essential. What is essential, however, is to cook your spices. Do do this, melt between 1/3  and 1/2 of the butter in a small saucepan. When hot and bubbling fry the spices for around 30 seconds; mind the butter doesn’t burn though. Now mix it with the anchovies and the remaining butter. The idea is to produce a paste – there are several ways to do this: blender, food processor, pestle & mortar or fork will do the job, it is a trade-off between how homogenous you like your relish and how much washing up you can be bothered doing. Spoon the mixture into a small pot, cover with a lid or some clingfilm, and allow to cool.

The Oriental Club’s Mid-19th Century “Mutton Curry”

The Duke of Wellington, the first (and only) President of the Oriental Club

In the mid-19^th century, the British obsession with Indian curries and culture really started to take off (see this post for a brief history of Britain’s love of spice and India). It wasn’t just the spiciness, but the romance of the place. Queen Victoria loved the country and even had an Indian wing in the palace. Although she was the Empress of India, she never actually visited the country, leaving all that excitement to her sons.

Hanover Square in the 18th Century

Authentic – or very close approximations to authentic – curries were being made in one particular London gentleman’s club called the Oriental Club which could be found in Hanover Square. The club catered for high society – the Duke of Wellington was the President and all the chairmen seem to have been Sirs, Lords, Major-Generals or Vice-Admirals.  The Club was obviously a popular one; it opened in 1825 and in 1961 it moved from Hanover Square to Stratford House on Stratford Square, where it remains to this day. If you are a Londoner (and a man), you can still join, though it does cost between £240 and £850 per year to become a member.

Stretford House, the current home of the Oriental Club

In its hey-day, Chef Richard Terry was at the helm in the kitchen, who took full advantage of the first Asian grocery warehouses; Payne’s Oriental Warehouse on Regent Street and the Oriental Depot on Leicester Square. His recipes were ‘not only from [his] own knowledge of cookery, but from Native Cooks’ too. He published a book called Indian Cookery in 1861, where the recipe below is adapted from. The job of adaptation was not done by me, but Madhur Jaffrey, though I would like to get my hands on a copy.

To make the curry, you need to make a blend of curry powder and curry paste first.

Richard Terry’s 19^th Century British Curry Powder

This makes 7 tablespoons of curry powder – enough for more than three curries using the recipe below. You can of course use it in any recipe that asks for ‘curry powder’ in its list of ingredients. All the spices required are ground, but don’t buy ground coriander, pepper, cumin, cardamom and cloves if you can avoid it. Instead, roast whole spices over a medium-high heat in a dry frying pan then grind using a coffee grinder after cooling. All you need to do is mix together the following:

2 tbs ground turmeric

5 tsp ground coriander seed

2 tsp ground ginger

2 tsp Cayenne pepper

1 ½ tsp ground black pepper

½ tsp ground cumin

½ tsp cardamom seeds

½ tsp ground cloves

Store in a cool, dry, dark place.

Sir Ranald Martin’s British Curry Paste

Many old (and new!) recipes ask for curry paste, but don’t always give receipts for the paste itself.  This recipe from Ranald Martin, a Victorian doctor and foodie who lived in India during the 1840s provides us with this one below. He was told it was an old Madras concoction. According to Madhur Jaffrey, the ingredients are very common in Madras, but the combination is ‘totally alien’. Aside from being used in curries, it was also used in sandwiches. The recipe below makes around 12 fluid ounces of paste.

4 tbs whole coriander seeds

2 tbs lentils such as yellow split peas or chana dal

1 tbs whole black peppercorns

1 ½ tsp whole cumin seeds

1 tbs whole brown mustard seeds

1 tbs ground turmeric

1 tbs Cayenne pepper

1 ½ tsp ground ginger

2 tsp salt

2 tsp sugar

3 cloves of garlic, minced

4 fl oz cider vinegar

6 tbs flavourless cooking oil such as sunflower or peanut oil

Dry-roast the whole spices and lentils in a frying pan until they turn a shade darker and emanate a delicious roasted aroma.

Remove from the heat, cool and grind in a spice or coffee grinder. Add the remaining ingredients except for the oil and stir well. Heat the oil in a frying pan and when hot, add the spice mixture and fry for around five minutes until the paste turns darker. Cool and empty into a jar. Store in the refrigerator.

The Oriental Club’s 19^th Century Mutton Curry

Okay, you have made the paste and blended your spices, now you can get on with the curry. You can use either lamb or mutton, but bear in mind, the mutton – although more flavourful – will take longer to cook. If lamb is tricky to get hold of, goat or kid could be used as an alternative. The curry is pretty pungent, but good, dark and rich; I added a couple of peeled, chopped potatoes to add much needed-blandness. This curry serves 4 people and goes very well with plain rice, yoghurt and mango chutney. Would you believe, I forgot to take a photograph!?

4 tbs flavourless cooking oil

1 medium-sized onion, thinly sliced

2 tbs 19^th Century British Curry Powder

1 tbs 19^th Century British Curry Paste

1 ½ lb cubed lamb meat, shoulder is a good cut for this

8 – 12 oz (i.e. a couple of medium-sized) potatoes, peeled and cut into large chunks

¾ – 1 tsp salt

Heat the oil in one of those wide, deep frying pans that come with a lid. Add the onions and fry until the onions have browned and become crisp. Add the paste and powder, stirring well for a few seconds. Now add the meat and half of the salt, stir, cover and turn the heat right down. Gently fry for around 10 minutes, stirring occasionally. Add a pint of water (that’s a British pint – 20 fluid ounces) and the potatoes, turn up the heat and when the curry comes to a boil, turn the heat back down, cover and simmer very gently until the meat is tender, around 60 to 90 minutes if using lamb, longer if using mutton. Taste and add more salt if needed.

Pea Soupers

 

London, Parliament: Sun Through the Fog by Claude Monet 1903

London in the mid-to-late nineteenth century must have been an amazing place. There’s nothing I like more than walking around London Bridge and its environs; it is just like walking around a Dickens novel, with the romantic remains of the Marshalsea prison and roads named after his characters such as Clennam and Copperfield Street. There was however, one rather unromantic aspect to London life and that was the intense and deadly pollution created from the huge amount of coal being burnt at the time.

We talk of the smog that lie over the big cities of the modern world, Houston certainly had one, but they all pale in comparison to London smog; it had a very strong sulphurous smell and a green-brown colour to it. The Sun didn’t burn it off, but actually intensified it. Hung-out washing would be visibly dirtier once it had dried. Thousands died from heart and lung problems – it was said that a 30 second walk was the equivalent of smoking 20 cigarettes – and rickets was widespread due the lack of sunlight. A miserable place indeed:

The fog was so thick that the shops in Bond Street had lights at noon. I could not see people in the street from my windows. I am tempted to ask, how the English became great with so little daylight? It seems not to come fully out until nine in the morning, and immediately after four it is gone…On the 22nd of the month, accidents occurred all over London, from a remarkable fog. Carriages ran against each other, and persons were knocked down by them at the crossings. The whole gang of thieves seemed to be let loose. After perpetrating their deeds, they eluded detection by darting into the fog. It was of an opake, dingy yellow. Torches were used as guides to carriages at mid-day, but gave scarcely any light through the fog. I went out for a few minutes. It was dismal.

Richard Rush, 1883

On several occasions, people fell in the Thames and drowned because they could not see the river right in front of them.

Victorian link boys guide people home

through the London smog

And so, for obvious reasons, the thick London smog became known as a ‘pea souper’. Dried pea based soups and puddings were very popular at this time, especially in the winter when there were no few fresh vegetables around. The soup became known as London particular because of a line from Charles Dickens’ novel Bleak House: “This is a London particular…A fog, miss”, said the young gentleman.

The phrase London particular had actually been around for at least a century – it was used to describe food and drink particular to London, for example London Particular Madeira.

London Particular

This soup is really more of a potage and is very simple and cheap to make. The best thing about it is the wonderful stock made from the addition of a nice ham hock. You can use smoked or unsmoked, or you could go for a couple of pig’s trotters. Either way, it shouldn’t cost you more than 50 pence at the butcher. He might even give you them for free if you bat your eye-lashes at him. The recipe also asks for two tablespoons of Worcestershire sauce, this might seem like a lot, but it really can take it.

Ingredients

1 lb dried split peas

2 oz butter

3 rashers of smoky bacon, chopped

1 onion, sliced

1 ham knuckle, ham hock or 2 pig’s trotters

pepper

salt

2 tbs Worcestershire sauce

Have a look at the packet of peas; see if they need soaking overnight. If they are non-soak but are particularly old, you might want to soak them.

Melt the butter in a stockpot or large saucepan, add the bacon and fry on a medium heat for five minutes. Add the onion and fry until softened. Drain the peas and stir them in, making sure they get a good covering of bacon fat and butter. In amongst the peas, place the hock, knuckle or trotters and cover with water. Add some pepper, but do not add salt at this stage. Bring to a boil and skim off any grey scum, then cover and simmer gently until the peas are all mushy; around 1 ½ to 2 hours. Give the potage a stir every now and then as the peas do tend to stick, particularly towards the end of cooking.

Take out the meat joint and place to one side. Liquidise or mill the soup and return it to the pan. Pick any meat from the joints and add to the soup. Season with salt (if needed), pepper and the Worcestershire sauce.

Angels and Devils on Horseback

A Victorian hors d’œuvre that has died a death in recent decades; an angel on horseback is simply an oyster wrapped in bacon and grilled; a devil is a tea-soaked prune treated the same way. The main reason for this is that oysters were then poor man’s food and now they are a delicacy; it is odd to think of the working-class tucking into these at dinner rather than the upper middle classes. Of course, the tables were turned by the time we hit the 20^th Century. If you have never tried oysters before, this is a good way to introduce yourself to them, I reckon. They should have a comeback as they are delicious, and if you can’t afford – or stomach – oysters, then at least have a go at making the devils, though they are best made together.

The best oysters for the angels are the large Pacific ones – especially if you can get them pre-shucked. The best prunes are the squidgy ‘giant’ ones; if you can’t find them, just substitute two normal prunes for each giant one. There are many elaborate recipes, especially for the angels; the oysters in one are  breaded and fried, in another they are chopped up to make a stuffing. These things are best kept simple – the raw ingredients should speak for themselves.

You can make these delightful and delicious bite-size nibbles as some decadent finger-food on rounds of bread fried in butter or alongside some roast poultry instead of pigs in blankets.

Angels on Horseback

12 large shucked oysters

Cayenne pepper or Tabasco sauce (optional)

6 rashers of smoked streaky bacon cut in half

First, soak 12 wooden toothpicks in some water and get your grill nice and hot. Season your oysters with a little Cayenne or Tabasco sauce if using and roll each in a piece of bacon, securing it with a toothpick. Place them on a baking sheet and grill until the bacon is crisp and the oysters are plump. Serve immediately.

Devils on Horseback

12 large prunes or 24 small ones

Freshly brewed, strong tea

12 roasted, salted almonds

6 rashers of smoked streaky bacon cut in half

Soak your prunes in the hot tea until plump – this will take 30 minutes if no-soak prunes, or overnight if they require soaking.* Remove the stones if the prunes are pitted then fills the gap it has left with a roasted almond. If you are using small prunes, sandwich an almond between two of them. Spear with a cocktail stick and grill as described above.

*Don’t throw away the tea for it tastes delicious!

To Make a Coburg Loaf

Here’s another recipe toad to the series of posts on bread and bread-making (see main post here).

Coburg loaves are a common sight in traditional bakeries, but are rarely spotted outside of them these days. A Coburg is a round loaf that is not baked in a tin like your basic loaf (see recipe here), but as a round plump crusty loaf on a tray. On the top there are cuts in a cross shape that open up when it bakes. It can be made with pretty much any flour you like – white, whole-wheat, rye, oat, or whatever takes your fancy. I class it as one of the basic loaves because it contains just flour, yeast, salt and water.

Technically, a Coburg is a kind of cob, the only difference being that a cob does not get cut before going in the oven. There are variations on the Coburg cuts though; sometimes several cuts are made in a chess board fashion which expands to make a porcupine loaf, which is also known as a college loaf. Alternatively, the top of the dough gets quickly stabbed with a piece of wood spiked with lots of nails. A bit hardcore that one.

The Coburg loaf became popular in the Victorian era, and I assumed the loaf was named after Queen Victoria’s hubby Prince Albert Saxe-Coburg-Gotha, as many things were in those days. The British public were fascinated by the royal couple, and really took to many German traditions (especially a Christmastime). However, it may not be the case. There was such a thing as Coburg material; cheap and coarse and used for making mourning clothes that predated Albert so the word is older. The most likely explanation is that a German baker living in London, as many did, gave it his family name, though no baker actually knows who this was. The loaves themselves were certainly around before the Victorian era, centuries earlier in fact. They were made from courser grains than today and went by the name of a Brunswick loaf. So it seems all that occurred was a name change.

The good thing about baking these loaves is that you need no tin and consequently you achieve a good crust all over the surface. The recipe below is based on one from Elizabeth David and I haven’t provided massive detail on the making of the dough as I have already done that in the recipe for baking a basic loaf, so if you are new to bread-making, it might be worth having a little of that post first (you’ll find it here).

 

Ingredients

14 oz strong white flour (or a mix of up to 50% other flour(s) if you like)

2 tsp salt

¼ oz fresh yeast or 1 tsp of dried yeast

8 fl oz blood-heat water

 

Mix the flour and salt together in a bowl and place in a cool oven to warm a little. In the meantime cream the yeast in a little of the warm water, adding a pinch of sugar if using dried yeast. After about 10 or 15 minutes, it should be alive and foaming, so make a well in the middle of the flour and tip the yeast in along with the remainder of the water. Mix together with a wooden spoon and then bring the dough together with your hands. If it is very sticky, add a bit more flour, cover and allow it to double in volume in a warm place. Knock the dough back well and give it a knead for 5 or 6 minutes. If you want, give it another rising. On a baking tray, shape the dough into a nice plump bun by moulding the dough and pulling it under itself. If it feels that it is too moist to rise without spreading, add some more flour. Cover with an upturned bowl and allow to prove until it doubles in size once more.

Slash the top of the loaf with a sharp knife to make a cross shape and bake in the oven at 230⁰C (450⁰F) for 15 minutes, then at 200⁰C (400⁰F) for a further 15 minutes then turn the loaf upside down on its tray with the oven switched off for a final 10 minutes. Cool on a rack or over some tins.

“Out of the strong came forth sweetness…”

Can there be anything else that sums up British baking as much as Lyle’s Golden Syrup? If you are not British then you might not have heard of it and it is rather difficult to compare it to anything else. It looks like honey, but is viscous like a syrup such as corn syrup and yet it tastes like neither. The taste is more like butterscotch or caramel. It is also commonly called treacle. I absolutely love the stuff and manage to get hold of it here in Missouri to go on my porridge or pancakes of a morning. Oddly, it was never intended to be a commercial product, but thank goodness it became one. I remember as a child, my Dad always used to make us a treacle sandwich after our Sunday baths whilst we dried in front of the fire, soggy towels wrapped around us.

The story of golden syrup starts in 1881when the Scottish businessman Abram Lyle set up a sugar-refinery in London on the Thames with his five sons, processing sugar cane into sugar loaves. In those days, sugar was bought in large tapering mounds that had to be pounded or grated by hand at home. One byproduct of the process was a thick, gloopy syrup that with a little more refining through charcoal was very delicious. So he sold it to his workers from large barrels (Lyle was originally a cooper) and the syrup quickly was anointed with the nickname “Goldy”. Soon, Goldy became popular outside of his workforce and everyone wanted some. Just two years later, in 1883, Lyle’s Golden Syrup was born.

It is the tin the golden syrup that comes in that is the icon of both British cookery and Victorian entrepreneurship. Famously, on the front is a drawing of a dead lion peppered with swarming bees. Abram Lyle was a very pious man, and used the story of Samson in the book of Judges in Old Testament as the inspiration for the design. Quite a while before his fateful haircut, Samson got attacked by a lion which, through His power, Samson was able to rip open, killing it. Later he sees that bees have built a hive within its carcass and he takes some honey to his family and friends and they have a feast. He didn’t tell them about the lion and had them guess how he came about all the honey, presenting them with the poser:

And he said unto them, Out of the eater came forth meat, and out of the strong came forth sweetness. And they could not in three days expound the riddle.

Judges 14:14

Tins were first produced in 1884 and unbelievably have not changed at all in their design since. In fact, the recipe for the syrup has never changed either – making Lyle’s Golden Syrup the oldest brand in the world. “You’d be mad to mess with Goldie.” The only slight change is to the weights written on the tin: gone are the “1 lb” and “2 lb” marks, their replacement being the “454 g” and “907 g” marks, to keep in line with EU rulings. Another change occurred during the Second World War when, because of tin shortages, Lyle had to make the ‘tins’ from cardboard instead.

For over 125 years, it has been indispensable – it was even taken on Captain Scott’s fateful trek to the Antarctic. He wrote a letter to the Lyle family:

“Your Golden Syrup has been in daily use in this hut throughout the winter, and has been much appreciated by all members of the expedition.”

In 1950, the Lyle Company brought out a second iconic product: Lyle’s Black Treacle. It is very similar to molasses, though it is considerably thicker and stronger tasting. For any recipes that ask for black treacle, you can substitute molasses instead with no problems.

In the American classic The Fannie Farmer Cookbook, there is a recipe for Cornish Treacle Tart (which is actually made from Golden Syrup). In that recipe it asks for three-quarters of a cup of dark corn syrup. Do not on no account ever, ever, substitute golden syrup for corn syrup. The two are incomparable. So, I urge the American public: if you use a recipe that asks for Golden Syrup and you cannot get hold of any, don’t bother making it. Do you hear me? Good, then we understand each other. Amazon’s grocery section stocks it, so you can always get it online.

Lyle’s Golden Syrup and Black Treacle are part of so many wonderful recipes, I would be crazy listing them all, but here are what I reckon are the important or interesting ones. As I add recipes, I’ll add links. If you know of any that I have missed off, please let me know. Here goes:

Treacle tart

Flapjacks

Pancakes

Treacle sponge pudding

Mrs Beeton’s rolled treacle pudding

Golden syrup cake

Aunt Nelly’s pudding

Malt loaf

Jamaican ginger cake

Parkin

Ma Buttery’s crunch

Bonfire toffee

Christmas cake

Eel, Pie and Mash

Eel, pie and mash houses are bits of living history and are very much a London invention. The houses were a Victorian creation, though sellers had had stalls since the eighteenth century. Eels were very cheap and just swimming about in the River Thames. Strangley, they took off during a time when the heavily-polluted Thames did not have any eels swimming in its waters. The eels did arrive on the Thames though; brought up on barges from Holland. These days they come from Ireland.

There are three elements to the classic meal: pie, mash and eel liquor. The pies began life as eel pies, but over time the pies were made with minced beef and onion; mashed potatoes speak for themselves; and the liquor is the special part. It is made from an eel gravy and is heavily flavoured parsley sauce. You must put on liberal amounts of salt, vinegar and pepper or chili on there too. They also sell stewed eels as well as the other London classic, jellied eels. You can also buy live eels to take home and cook for yourself, if you are so inclined.

They are impressive inside, they’re not ostentatious or anything like that, but being Victorian buildings they have the beautifully-tiled walls that we associate with the Victorians’ eating establishments, public houses and urinals!

I was in London over Christmas so I decided, upon my visit, I would find one and try its wares. There are three families that own the best shops: the Cookes, Manzes and the Kellys I went to F. Cooke’s in Hackney, the first to have a pie and mash house. Frederick Cooke opened his first shop in Clerkenwell in 1862 selling the “poor-man’s delicacy”.

One of his daughters married a Manze, who were an Italian family selling ice cream, and they opened some pie and mash houses too. Their own grandson now runs their first shop on Tower Bridge. The Kellys were an Irish family that arrived relatively late to the trade but are considered the best. At the peak of business, two tons of live eels were consumed per shop! Now there are around 25, so I wanted to go to one before they disappeared.

Walking into F. Cookes really  felt like walking into the past. The place hasn’t changed at all for decades and is now a listed building. I ordered hot stewed eels with mash and liquor and a cup of tea. I sat down to eat them with a liberal seasoning with salt, pepper and vinegar. I like eels, so I knew I would like the food.

Eels have quite a delicate flavour, so they went very well with the bland potatoes and liquor; a great winter-warmer. I also ordered some jellied eels – cooked eels set in an aspic jelly made from eel bones. They are an acquired taste, apparently. The eels themselves were good but eating them cold with the jelly was not the gastronomic treat I was expecting. Hey-ho, you win some, you lose some.

The eel, pie and mash shops are under threat today, and it is not just because of the changing tastes of we Britons, it is because the European eel is becoming threatened. Long gone are the days when people set eel traps on the mudflats of the Thames, or anywhere else, because since 1980, the numbers of eel dropped by 95 per cent. No one really knows why the eel population has crashed by this huge amount, but overfishing, pollution and changes in the ocean current brought on by climate change are the most cited potential causes. I imagine that the latter reason is the most important; eels are catadromous fish, which means that they live in freshwater, but swim to the ocean to spawn (the opposite being anadromous fish, like salmon). The European eel (Anguilla anguilla) swims all the way to the Sargasso Sea near Bermuda. The eel fry – called leptocephali – take three years to swim across the ocean, until they reach an estuary.

They look nothing like an eel, and for a long time considered totally different species. At the estuary, they metamorphose into elvers, or glass eels, miniature transparent versions of the adult. You can set your clock by the elvers’ migration up the rivers, and people used to collect huge amounts of them, usually in pillowcases, to feed their families.

This no longer happens; places where they used to swarm no contain hardly any. There are only a few people that fish for them, and they hold their fishing spots shrouded in secrecy because they now go for over £500 per pound! I have a soft-spot for elvers and eels – my very first scientific publication was on elvers in Mull, Scotland.

It might not be over for the eel though: a huge amount of migrating elvers were spotted swimming up the River Severn in 2010, say the BBC (see here). Hopefully this isn’t just a freak occurrence.